Concerning Cats: My Own and Some Others

"Concerning Cats: My Own and Some Others" by Helen M. Winslow is a collection of personal essays and insights about cats, written during the late 19th century. The book captures Winslow's deep affection for her feline companions while exploring their individual characteristics, behaviors, and relationships with humans. The opening chapters introduce the author's deep bond with her cat, the "Pretty Lady," as well as her reflections on the nature of cats and their often-misunderstood affections. The opening of the work specifically centers on the author's relationship with the "Pretty Lady," highlighting her loyalty and unique personality. Winslow recounts various experiences with this beloved cat, from their travels together to the affectionate gestures that reveal a deep connection between them. The narrative sets a nostalgic and reflective tone, showcasing not only the antics and personalities of the author's feline companions but also touching upon themes of love, loyalty, and the captivating idiosyncrasies that make cats such beloved pets. Through her heartfelt observations, Winslow encourages readers to appreciate the genuine companionship that cats can offer. (This is an automatically generated summary.)

Helen M. Winslow was an American editor, author, publisher, and journalist. She began her work on Boston papers. Winslow served as dramatic editor on The Beacon, 1891–97; editor, Woman's Club Department, Boston Transcript, 1893–98; editor, Woman's Club Department of the Delineator, 1897, and again 1912; editor and publisher, The Club Woman, 1897-1904; and she was the publisher of the Official Register of Women's Clubs in America from 1897. She was the author of Salome Sheppard, Reformer. 1893; Concerning Cats, 1900; Concerning Polly, 1902; Literary Boston or To-day, 1902; The Woman of To-morrow, 1905; The President of Quex, 1906; Peggy at Spinster Farm, 1908; A Woman for Mayor, 1910; The Pleasuring of Susan Smith, 1912; and At the Sign of the Town Pump, 1913. She collaborated with Frances Willard in Occupations for Women, and with Marie Wright in Picturesque Mexico.