"Nietzsche and Art" by Anthony M. Ludovici is a scholarly examination of the aesthetic theories of Friedrich Nietzsche, presented as a course of lectures delivered in the early 20th century. The text delves into Nietzsche's concept of art, contrasting what Ludovici terms "Ruler Art" — art that emerges from inner riches and an aristocratic society — against the "democratic art" that is tied to mediocrity and realism. The author argues that modern art suffers from anarchy, stemming from an overemphasis on individual expression and the rejection of established aesthetic values. The opening portion of the work sets the stage for a critical analysis of contemporary art as seen through Nietzsche's philosophy. Ludovici introduces the notion of an "anarchy in modern art," suggesting that modern society's chaotic artistic expressions reflect a deeper confusion and lack of direction. He criticizes the contemporary reliance on realism and democratic tendencies in art that lead to superficiality and a dilution of true artistic value. Rather than contributing positively to culture, such art forms reflect a society struggling with its own identity and a lack of reverence for the power of genuine artistic expression. Ludovici's intent is to provoke thought and discussion regarding the state of art, challenging readers to reconsider the meaning and purpose behind their artistic experiences. (This is an automatically generated summary.)
Nietzsche and Art
By Anthony M. (Anthony Mario) Ludovici
"Nietzsche and Art" by Anthony M. Ludovici is a scholarly examination of the aesthetic theories of Friedrich Nietzsche, presented as a course of lectu...
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2016-10-26
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About the Author
Anthony Mario Ludovici MBE was a British philosopher, sociologist, social critic and polyglot. He is known as a proponent of aristocracy and anti-egalitarianism, and in the early 20th century was a leading British conservative author. He wrote on subjects including art, metaphysics, politics, economics, religion, the differences between the sexes and races, health, and eugenics.
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