The Analysis of Beauty Written with a view of fixing the fluctuating ideas of taste

"The Analysis of Beauty" by William Hogarth is a treatise on aesthetics, written in the mid-18th century. The work aims to explore and define the principles of beauty and taste in art, specifically focusing on the role and significance of various forms, lines, and proportions in creating beauty. Hogarth argues against the prevailing notions of beauty being subjective and instead seeks to establish a systematic approach to understanding and appreciating beauty in art and nature. At the start of the text, Hogarth introduces the concept of beauty and the difficulties encountered in defining it, referencing past attempts by both ancient and modern writers. He alludes to the confusion created by varying standards of beauty and taste and emphasizes the importance of understanding the underlying principles that govern aesthetic appreciation. He outlines his intention to present a new examination of beauty, particularly through the exploration of elements like lines, shapes, and forms, which he believes are foundational to the creation of pleasing art. The opening sets a scholarly tone as Hogarth prepares to guide the reader through his analytical framework, promising a fresh perspective on the concept of beauty. (This is an automatically generated summary.)

William Hogarth was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Familiarity with his work is so widespread that satirical political illustrations in this style are often referred to as "Hogarthian".