Every Man out of His Humour

"Every Man Out of His Humour" by Ben Jonson is a comedic play written in the late 16th century, often recognized as a significant work in the realm of English drama. This play showcases Jonson's innovative approach to character development through the concept of 'humours', where each character embodies a specific trait that shapes their actions and interactions. The narrative predominantly revolves around the life and follies of various characters including the envious Macilente, the pompous Puntarvolo, and the fool Sogliardo, providing both comedic entertainment and social commentary on human behavior. The opening of the play introduces a series of characters, each vividly described and representative of the themes of folly and ambition. Asper, the presenter, addresses the audience with a critique of societal norms, asserting his intention to expose the absurdities of his time. As the dialogue unfolds, we encounter Macilente, who laments his envy entangled with the success of others, and Sogliardo, an aspiring gentleman eager to shed his lower-class origins. These initial exchanges outline Jonson's satirical take on societal aspirations, class distinctions, and the human condition, setting the tone for the exploration of various humours throughout the play. The opening thus not only introduces the characters but also establishes a humorous yet critical perspective on societal pretensions, encapsulated within the framework of Jonson's comedic style. (This is an automatically generated summary.)

Benjamin Jonson was an English playwright and poet. Jonson's artistry exerted a lasting influence on English poetry and stage comedy. He popularised the comedy of humours; he is best known for the satirical plays Every Man in His Humour (1598), Volpone, or The Fox, The Alchemist (1610) and Bartholomew Fair (1614) and for his lyric and epigrammatic poetry. He is regarded as "the second most important English dramatist, after William Shakespeare, during the reign of James I."