"Fanny Burney and Her Friends: Select Passages from Her Diary and Other Writings," edited by L.B. Seeley, is a collection of autobiographical writings and reflections from the late 18th century to the early 19th century. This work offers insight into the life and experiences of Frances Burney, revealing her relationships, her family background, and her burgeoning literary talents. Readers can expect a detailed account of Burney's formative years, notably her artistic struggles, social interactions, and the influences that shaped her as a writer and a person. At the start of the collection, Burney narrates her early life, beginning with her birth and family background. The text immerses readers in her childhood experiences, capturing her relationships with her father, Dr. Charles Burney, as well as her siblings and friends. It elaborates on Frances’s initial struggles with education and her natural inclination toward writing, despite her apparent shyness. The chapter also introduces significant figures in her life, including Samuel Crisp and the prominent actor David Garrick, who played vital roles in shaping her intellectual and social environment while she navigated her growing literary aspirations. (This is an automatically generated summary.)
Fanny Burney and Her Friends: Select Passages from Her Diary and Other Writings
By Fanny Burney
"Fanny Burney and Her Friends: Select Passages from Her Diary and Other Writings," edited by L.B. Seeley, is a collection of autobiographical writings...
Frances Burney, also known as Fanny Burney and later Madame d'Arblay, was an English satirical novelist, diarist and playwright. In 1786–1790 she held the post of "Keeper of the Robes" to Charlotte of Mecklenburg-Strelitz, George III's queen. In 1793, aged 41, she married a French exile, General Alexandre d'Arblay. After a long writing career and wartime travels that stranded her in France for over a decade, she settled in Bath, England, where she died on 6 January 1840. The first of her four novels, Evelina (1778), was the most successful and remains her most highly regarded, followed by Cecilia (1782). Most of her stage plays were not performed in her lifetime. She wrote a memoir of her father (1832) and many letters and journals that have been gradually published since 1889, forty-nine years after her death.