"Cecilia; Or, Memoirs of an Heiress — Volume 2" by Fanny Burney is a novel written in the late 18th century, specifically reflecting the societal norms and challenges of that era. The narrative delves into the life of Cecilia Beverley, an heiress navigating the complexities of love, friendship, and social expectations. As she encounters various characters, her journey reveals themes of social class disparities, personal sacrifices, and the pursuit of happiness amidst societal constraints. At the start of this volume, Cecilia grapples with her emotions and the realities surrounding her relationships, particularly concerning her feelings for young Delvile. The opening chapters focus on her visit to Miss Belfield, where she learns of the challenges facing Miss Belfield's brother and expresses her desire to help the family despite their pride. The dialogue highlights Cecilia's compassionate nature as she navigates social niceties and the complexities of their situation, all while feeling the weight of her own romantic concerns, especially in relation to young Delvile's recent distance. The intricate interplay of relationships and the exploration of societal roles set the stage for deeper conflicts to emerge throughout the narrative. (This is an automatically generated summary.)
Cecilia; Or, Memoirs of an Heiress — Volume 2
By Fanny Burney
"Cecilia; Or, Memoirs of an Heiress — Volume 2" by Fanny Burney is a novel written in the late 18th century, specifically reflecting the societal norm...
Frances Burney, also known as Fanny Burney and later Madame d'Arblay, was an English satirical novelist, diarist and playwright. In 1786–1790 she held the post of "Keeper of the Robes" to Charlotte of Mecklenburg-Strelitz, George III's queen. In 1793, aged 41, she married a French exile, General Alexandre d'Arblay. After a long writing career and wartime travels that stranded her in France for over a decade, she settled in Bath, England, where she died on 6 January 1840. The first of her four novels, Evelina (1778), was the most successful and remains her most highly regarded, followed by Cecilia (1782). Most of her stage plays were not performed in her lifetime. She wrote a memoir of her father (1832) and many letters and journals that have been gradually published since 1889, forty-nine years after her death.