The New Magdalen

"The New Magdalen" by Wilkie Collins is a novel written in the late 19th century, during a period marked by dramatic social changes and evolving gender roles. The narrative centers around complex themes of identity, redemption, and social stigma, focusing particularly on the lives of two women, Mercy Merrick and Grace Roseberry, as they navigate their precarious situations against the backdrop of war-torn Europe. At the start of the novel, we are introduced to a dark and stormy night in France, during the Franco-Prussian War. Captain Arnault and his men are tending to the wounded in a cottage after a skirmish when I encounter the two women: Mercy, a nurse with a troubled past, and Grace, a young lady seeking refuge after being robbed. The dynamics between these characters quickly unfold, as Grace expresses gratitude towards Mercy for her kindness, while Mercy's backstory hints at undisclosed pain and stigma that complicate their connection. The opening chapter sets a tense atmosphere, suggesting themes of class struggle and identity, culminating in Mercy's difficult choice to assume Grace’s identity after a tragic turn of events. (This is an automatically generated summary.)

William Wilkie Collins was an English novelist and playwright known especially for The Woman in White (1859), a mystery novel and early sensation novel, and for The Moonstone (1868), which established many of the ground rules of the modern detective novel and is also perhaps the earliest clear example of the police procedural genre.