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Hugo: A Fantasia on Modern Themes

By Arnold Bennett

(3.5 stars) • 10 reviews

"Hugo: A Fantasia on Modern Themes" by Arnold Bennett is a novel written in the early 20th century. The story centers around Hugo, a successful and ro...

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Released
2005-04-26
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Overview

"Hugo: A Fantasia on Modern Themes" by Arnold Bennett is a novel written in the early 20th century. The story centers around Hugo, a successful and romantic bachelor who owns a grand department store in London. As he navigates through his lavish life, he finds himself unexpectedly in love for the first time, particularly drawn to a woman named Camilla Payne, who works in his millinery department. The narrative explores themes of love, ambition, social expectations, and personal identity against the backdrop of a bustling modern world. The beginning of the novel introduces us to Hugo in a luxurious dome-shaped bedroom, showcasing his extravagant lifestyle and unique habits, such as his fondness for tea and music. We see him interact with his young servant, Simon Shawn, and reveal his whimsical desire for a lady’s hat, which sets the tone for his romantic inclinations. As the story unfolds, Hugo encounters various characters, including Senior Polycarp, a lawyer who presents an intriguing business proposal that Hugo quickly dismisses. However, the introduction of Camilla becomes critical, as her beauty and presence disturb his previously controlled existence, hinting at a romantic entanglement that serves as the core conflict of the tale. The opening chapters lay the groundwork for a deeper exploration of Hugo's psyche, his desires, and the potential turmoil that love can bring into even a well-structured life. (This is an automatically generated summary.)

About the Author

Enoch Arnold Bennett was an English author, best known as a novelist, who wrote prolifically. Between the 1890s and the 1930s he completed 34 novels, seven volumes of short stories, 13 plays, and a daily journal totalling more than a million words. He wrote articles and stories for more than 100 newspapers and periodicals, worked in and briefly ran the Ministry of Information during the First World War, and wrote for the cinema in the 1920s. Sales of his books were substantial, and he was the most financially successful British author of his day.

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