The doctor, &c., vol. 4 (of 7)

"The Doctor, &c., vol. 4 (of 7)" by Robert Southey is a work of fiction written in the early 19th century. This volume serves as a continuation of a narrative centered around the character of a doctor and the various interactions and reflections that pertain to his life and those around him. In this segment, Southey delves into themes of mortality, the passage of time, and the contrast between public identities and private lives. At the start of this volume, the author presents a series of introductory reflections, using quotes and thoughts from various literary figures to engage the reader. The narrative opens with a contemplation of human existence, touching on joy, sorrow, and the fleeting nature of life. It quickly transitions into character sketches, including a melancholic yet thoughtful address to female readers, hinting at a wedding that stirs excitement but also foreshadows change and loss. Southey also introduces other characters, such as a retired duchess whose wisdom and perspective provide deeper insights into the nature of happiness and the value of a solitary, reflective life. The opening sets a tone of introspection, inviting readers to ponder the weight of personal history within the broader canvas of human experiences. (This is an automatically generated summary.)

Robert Southey was an English poet of the Romantic school, and Poet Laureate from 1813 until his death. Like the other Lake Poets, William Wordsworth and Samuel Taylor Coleridge, Southey began as a radical but became steadily more conservative as he gained respect for Britain and its institutions. Other romantics such as Byron accused him of siding with the establishment for money and status. He is remembered especially for the poem "After Blenheim" and the original version of "Goldilocks and the Three Bears".