"England, My England" by D. H. Lawrence is a collection of short stories written in the early 20th century. The stories explore themes of identity, love, and social dynamics, often set against the backdrop of rural and industrial England. The opening tale, which shares the same title as the collection, introduces the characters Egbert and Winifred, who inhabit a beautiful yet challenging world that reflects their internal struggles and desires. At the start of "England, My England," the narrative paints a vivid portrait of Egbert, who is preoccupied with the task of landscaping their home in the countryside. He grapples with feelings of disillusionment and the clash between his artistic aspirations and the dull realities of life. As he works under the scrutiny of his beautiful wife Winifred, their relationship dynamics begin to surface—revealing a tension between Egbert's longing for a simple, meaningful existence and Winifred's growing sense of duty as a mother and wife. Their idyllic cottage represents the conflicts within themselves and their aspirations, as the couple navigates the complexities of romance, responsibility, and the pull of a changing world. This absorbing introduction sets the tone for a deeper exploration of the characters and their struggles throughout the collection. (This is an automatically generated summary.)
England, My England
By D. H. (David Herbert) Lawrence
"England, My England" by D. H. Lawrence is a collection of short stories written in the early 20th century. The stories explore themes of identity, lo...
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2005-09-01
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About the Author
David Herbert Lawrence was an English novelist, short story writer, poet, playwright, literary critic, travel writer, essayist, and painter. His modernist works reflect on modernity, social alienation and industrialization, while championing sexuality, vitality and instinct. Four of his most famous novels — Sons and Lovers (1913), The Rainbow (1915), Women in Love (1920), and Lady Chatterley's Lover (1928)— were the subject of censorship trials for their radical portrayals of romance, sexuality and use of explicit language.
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