"The Crow’s-Nest" by Sara Jeannette Duncan is a novel written in the early 20th century. It explores the life of a woman, the narrator, who finds herself banished to the garden of a remote residence in Simla, India, where she reflects on her experiences and the objects of her domestic life, longing for the comforts of her house as she is made to embrace the outdoors. The novel presents a humorous yet poignant commentary on her attempts to find beauty and meaning in her banishment while adapting to her surroundings. At the start of the narrative, the main character grapples with her sudden exile to the garden, where she feels at odds with nature and laments her loss of familiar comforts. She observes the landscapes and the mundane occurrences around her in a state of both disdain and curiosity. As she reluctantly acknowledges the beauty of her surroundings, she reflects on human existence, personal discomforts, and the quirks of the people around her, particularly her interactions with the local staff and their lives. This opening encapsulates her battle between social expectations and personal desires, setting the tone for her journey of self-discovery in the face of external circumstances. (This is an automatically generated summary.)
The crow's-nest
By Sara Jeannette Duncan
"The Crow’s-Nest" by Sara Jeannette Duncan is a novel written in the early 20th century. It explores the life of a woman, the narrator, who finds hers...
Sara Jeannette Duncan was a Canadian author and journalist, who also published as Mrs. Everard Cotes and Garth Grafton among other names. First trained as a teacher in a normal school, she took to poetry early in life and after a brief teaching period worked as a travel writer for Canadian newspapers and a columnist for the Toronto Globe. Afterward she wrote for the Washington Post where she was put in charge of the current literature section. Later she made a journey to India and married an Anglo-Indian civil servant thereafter dividing her time between England and India. She wrote 22 works of fiction, many with international themes and settings. Her novels met with mixed acclaim and are rarely read today. In 2016, she was named a National Historic Person on the advice of the Historic Sites and Monuments Board of Canada.