Hieroglyphics

"Hieroglyphics" by Arthur Machen is a collection of literary reflections written in the early 20th century. The text is framed as a series of conversations that explore the nature of literature and the essence of fine writing through the musings of an enigmatic character referred to as "the Hermit." The work delves into profound themes regarding art, literature, and the human experience. The opening portion of "Hieroglyphics" introduces the narrator's friendship with the Hermit, a reclusive figure who engages in deep philosophical discussions about life and literature. Their meetings occur in a dim, atmospheric room filled with an air of mystique, emphasizing the solitude that the Hermit has chosen. The initial conversation revolves around the significance of journalism and literature, pondering the criteria that determine what constitutes true literary value. The Hermit's belief in the concept of "ecstasy" as a hallmark of fine literature leads to inquiries about the relationship between art and commercialism, ultimately establishing a foundation for the book’s exploration of the higher ideals of literary expression. (This is an automatically generated summary.)

Arthur Machen was the pen-name of Arthur Llewellyn Jones, a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. His novella The Great God Pan has garnered a reputation as a classic of horror, with Stephen King describing it as "Maybe the best [horror story] in the English language." He is also well known for "The Bowmen", a short story that was widely read as fact, creating the legend of the Angels of Mons.