Autobiography of a Pocket-Handkerchief

"Autobiography of a Pocket-Handkerchief" by James Fenimore Cooper is a unique fictional narrative written in the early 19th century. This whimsical and satirical work features the unusual perspective of a pocket-handkerchief as the protagonist, exploring themes of societal norms, class distinctions, and the economic conditions of the time through its embroidered narrative. The story follows the handkerchief's observations about the people and events surrounding it, particularly focusing on topics such as social class and political upheaval in France. The opening of the book establishes the handkerchief as an introspective character that reflects on its ancestry, which humorously traces its lineage to the flax plant in Connecticut before recounting its journey to becoming a refined handkerchief in a Parisian shop. The narrative sets a tone of deep philosophical musings, exploring the nature of pride and identity among both humans and plants. The protagonist expresses a longing to be valued not merely as a decorative item but as a witness to human emotions and social dynamics, particularly through the tale of Adrienne de la Rocheaimard, a kind-hearted young woman facing societal challenges during a time of instability. This beginning hints at a rich exploration of personal and social themes framed within a delightful and unconventional narrative style. (This is an automatically generated summary.)

James Fenimore Cooper was an American writer of the first half of the 19th century, whose historical romances depicting colonial and indigenous characters from the 17th to the 19th centuries brought him fame and fortune. He lived much of his boyhood and his last fifteen years in Cooperstown, New York, which was founded by his father William Cooper on property that he owned. Cooper became a member of the Episcopal Church shortly before his death and contributed generously to it. He attended Yale University for three years, where he was a member of the Linonian Society.