"My Life — Volume 1" by Richard Wagner is an autobiographical work written in the mid-19th century. This volume details the early years and formative experiences of the famed composer, from his childhood in Leipzig to his early professional endeavors around 1842. The book reflects on Wagner's family background, his introduction to music, and the influences that shaped his artistic journey. The opening of this autobiographical account begins with Wagner’s birth and the immediate aftermath of his father's death, which left his family in difficult circumstances. He describes his stepfather's pivotal role in his upbringing and education, as well as the vibrant cultural environment he was immersed in, including his early encounters with the theatre and music. Throughout the narrative, Wagner recounts his childhood memories, the struggles with education, and the blossoming of his musical talent, which ultimately sets the stage for his future career as a composer. The reader is drawn into the emotions and aspirations of a young artist at the brink of discovering his calling, with significant events, relationships, and sentiments foreshadowing the remarkable life he would lead. (This is an automatically generated summary.)
My Life — Volume 1
By Richard Wagner
"My Life — Volume 1" by Richard Wagner is an autobiographical work written in the mid-19th century. This volume details the early years and formative ...
Wilhelm Richard Wagner was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas. Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk, by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen.