"With the French in France and Salonika" by Richard Harding Davis is a historical account written during the early 20th century. The work primarily consists of letters that the author penned while visiting various fronts during World War I, showcasing his firsthand experiences and observations of the French military and civilians in France, Greece, and Serbia. The text thoroughly explores themes of national resolve, admiration for the French efforts in the war, and the implications of American neutrality during this tumultuous time. At the start of the narrative, the author reflects on his journey to France amidst the ongoing war, vividly describing the mood aboard the ship and the precautions taken against potential submarine attacks. Upon arrival, he observes the state of Bordeaux, noting the presence of the wounded and the somber atmosphere. He recounts interactions with soldiers and the resilience displayed by the French populace amid adversity, showing a mixture of admiration and concern for their situation. Davis sensitively captures the human cost of war and the complexities of international relations, particularly the changing perceptions of America within Europe due to its neutrality. This opening segment sets the tone for a deeper exploration of the experiences of those affected by the war, both on the battlefield and at home. (This is an automatically generated summary.)
With the French in France and Salonika
By Richard Harding Davis
"With the French in France and Salonika" by Richard Harding Davis is a historical account written during the early 20th century. The work primarily co...
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2009-12-31
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About the Author
Richard Harding Davis was an American journalist and writer of fiction and drama, known foremost as the first American war correspondent to cover the Spanish–American War, the Second Boer War, and World War I. His writing greatly assisted the political career of Theodore Roosevelt. He also played a major role in the evolution of the American magazine. His influence extended to the world of fashion, and he is credited with making the clean-shaven look popular among men at the turn of the 20th century.
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