Enoch Soames: A Memory of the Eighteen-Nineties

"Enoch Soames: A Memory of the Eighteen-Nineties" by Sir Max Beerbohm is a satirical novella written in the late 19th century, specifically during the Victorian era. This work blends fiction with elements of literary criticism, exploring the themes of artistic ambition and the struggle for recognition in the literary world. The story revolves around the titular character, Enoch Soames, a fictional poet whose desire for fame leads him to make a pact with the devil. The narrative follows the encounters of Enoch Soames with another character, who reflects on Soames’s life and aspirations. Soames is depicted as a somewhat pathetic figure, a writer who yearns for recognition and grapples with his lack of success. Despite having published a book, his works receive little regard, and he remains largely forgotten by the literary community. The plot thickens as Soames encounters a devilish figure who offers him a chance to visit the future to find out how he is remembered. When he takes the deal, he finds that, although his name is mentioned in a future book, it is only in derision, thus highlighting the harsh reality of literary fame and the often fleeting nature of artistic legacy. Ultimately, the story serves as a poignant commentary on the vanity and futility that can accompany the pursuit of artistic greatness. (This is an automatically generated summary.)

Sir Henry Maximilian Beerbohm was an English essayist, parodist and caricaturist under the signature Max. He first became known in the 1890s as a dandy and a humorist. He was the drama critic for the Saturday Review from 1898 until 1910, when he relocated to Rapallo, Italy. In his later years he was popular for his occasional radio broadcasts. Among his best-known works is his only novel, Zuleika Dobson, published in 1911. His caricatures, drawn usually in pen or pencil with muted watercolour tinting, are in many public collections.