The Man of Letters as a Man of Business

"The Man of Letters as a Man of Business" by William Dean Howells is a critical examination of the intersection between literary artistry and economic reality, written in the late 19th century. This work can be classified as a literary essay, as it reflects Howells' contemplations on authorship and commercialism within the literary profession. The book addresses the expectations placed upon writers in a society that demands both creative expression and financial sustainability, revealing the tensions inherent in being a "man of letters" within a capitalist framework. In this essay, Howells discusses the struggles that authors face when attempting to balance their artistic integrity with the realities of making a living. He reflects on how literature, as an art form, often falls prey to market forces that dictate its value and accessibility. Howells critiques the notion that an artist should be compensated in monetary terms for their work, suggesting that the very act of selling one’s art can compromise its intrinsic value. Throughout the book, he illustrates the plight of the writer in a society that acknowledges business as the ultimate measure of worth, while concurrently yearning for a literary culture that would honor the artistic spirit and support authors beyond mere financial transactions. Ultimately, he posits that while the man of letters must navigate the complexities of business, his primary allegiance remains to the art of writing itself. (This is an automatically generated summary.)

William Dean Howells was an American realist novelist, literary critic, and playwright, nicknamed "The Dean of American Letters". He was particularly known for his tenure as editor of The Atlantic Monthly, as well as for the novels The Rise of Silas Lapham and A Traveler from Altruria, and the Christmas story "Christmas Every Day," which was adapted into a 1996 film of the same name.