Intentions

"Intentions" by Oscar Wilde is a collection of essays written in the late 19th century that delves into themes of art, morality, and aesthetics. The opening piece, "The Decay of Lying," is structured as a dialogue between two characters, Cyril and Vivian, who engage in a witty and philosophical examination of the nature of lying in art and literature. Wilde’s exploration indicates a belief in the transformative and essential role of art in society, while suggesting that modern realism diminishes creativity and beauty. The opening of "Intentions" presents a lively discussion between Cyril, who urges appreciation for nature, and Vivian, who dismisses it in favor of the comforts and creativity found indoors. Vivian argues that the decline of lying as an art form has led to the uninspired nature of contemporary literature, contending that art should reflect imagination rather than the mundane realities of life. Through sharp and humorous exchanges, Wilde sets the stage for a deeper critique of the societal values surrounding truth and beauty, ultimately championing the importance of artistic imagination over factual representation. This sets a thought-provoking tone for the essays that follow, inviting readers to reconsider their own understanding of art and its relationship with lies. (This is an automatically generated summary.)

Oscar Fingal O'Fflahertie Wills Wilde was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and his criminal conviction for gross indecency for homosexual acts.