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Americanisms and Briticisms; with other essays on other isms

By Brander Matthews

(3.5 stars) • 10 reviews

"Americanisms and Briticisms; with other essays on other isms" by Brander Matthews is a collection of essays written in the late 19th century. The boo...

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2011-08-10
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Overview

"Americanisms and Briticisms; with other essays on other isms" by Brander Matthews is a collection of essays written in the late 19th century. The book explores the distinctions and peculiarities of American English compared to British English, while reflecting on the evolution of language in response to cultural changes across different regions, including Australia and Canada. Matthews discusses the ongoing linguistic debates sparked by regional expressions, spelling variations, and the broader cultural implications of these differences. The beginning of the text introduces the topic of how various English-speaking regions have developed their unique vocabulary and phrases, often as a result of new socio-cultural experiences that necessitate fresh linguistic expressions. Matthews references contemporary literature, specifically a novel featuring Australian characters, to illustrate the confusion that can arise from unfamiliar terms. He also considers how historical grievances and literary criticism have shaped attitudes towards American English, highlighting a sense of pride in American linguistic identity while critiquing British perspectives. The opening thus sets the stage for a thoughtful exploration of language as a living entity that is shaped by its speakers’ experiences and societal contexts. (This is an automatically generated summary.)

About the Author

James Brander Matthews was an American academic, writer and literary critic. He was the first full-time professor of dramatic literature at Columbia University in New York and played a significant role in establishing theater as a subject worthy of formal study by academics. His interests ranged from Shakespeare, Molière, and Ibsen to French boulevard comedies, folk theater, and the new realism of his own time.

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