"The White Gauntlet" by Captain Mayne Reid is a historical novel written in the late 19th century. The story revolves around Marion Wade, a beautiful and noble young woman who finds herself in a moment of personal turmoil as she navigates encounters with other characters in her environment, particularly Henry Holtspur, a man of higher social standing. The book explores themes of love, social constraints, and the individual's emotions in a pre-modern setting vividly brought to life through its lush descriptions and dramatic interactions. The opening of the novel introduces Marion Wade as she rides alone in the woods, waiting for an anticipated meeting with a horseman. Her internal conflict is palpable as she grapples with her admiration for the noble and handsome rider while being bound by societal expectations. As Marion's thoughts reveal her desire to break free from social etiquette, she inadvertently drops her white gauntlet, a symbolic gesture that invites further connection with the man she awaits. The narrative captures the charged atmosphere of their encounters, hinting at growing feelings while also hinting at the complications that arise from their respective social backgrounds. The stage is set for a tale of romantic tension, class disparity, and the exploration of personal desires against the backdrop of societal norms. (This is an automatically generated summary.)
The White Gauntlet
By Mayne Reid
"The White Gauntlet" by Captain Mayne Reid is a historical novel written in the late 19th century. The story revolves around Marion Wade, a beautiful ...
Thomas Mayne Reid was a British novelist who fought in the Mexican–American War (1846–1848). His many works on American life describe colonial policy in the American colonies, the horrors of slave labour, and the lives of American Indians. "Captain" Reid wrote adventure novels akin to those by Frederick Marryat (1792-1848), and Robert Louis Stevenson (1850-1894). They were set mainly in the American West, Mexico, South Africa, the Himalayas, and Jamaica. He was an admirer of Lord Byron. His novel Quadroon (1856), an anti-slavery work, was later adapted as a play entitled The Octoroon (1859) by Dion Boucicault and produced in New York.