The Chinese lantern : $b A play

"The Chinese Lantern" by Laurence Housman is a play written in the early 20th century. The story unfolds in a Chinese studio, introducing a range of characters, including Olangtsi, a Master of Arts, his son Yunglangtsi, and various apprentices and craftsmen. The play focuses on themes of artistic ambition, the quest for identity, and the complexities of social relationships, particularly through the dynamics between the students and their master. The opening of the play sets an engaging scene in the studio, where lazy students are preparing for the Feast of Lanterns, showcasing their indolent ways contrasted against Tikipu, the diligent drudge, who devotes himself to grinding colors. As the characters exchange witty banter filled with philosophical musings about art and destiny, it becomes evident that Yunglangtsi, despite his seeming apathy toward art, is at the center of familial expectations and conflicts. The dialogue reveals the frustrations surrounding artistic representation, financial struggles, and the contrasting aspirations of the individuals involved, providing a strong foundation for the unfolding drama as the Feast approach. (This is an automatically generated summary.)

Laurence Housman was an English playwright, writer and illustrator whose career stretched from the 1890s to the 1950s. He studied art in London and worked largely as an illustrator during the first years of his career, before shifting focus to writing. He was a younger brother of the poet A. E. Housman and his sister and fellow activist in the women's suffrage movement was writer/illustrator Clemence Housman.