England's Antiphon

"England's Antiphon" by George MacDonald is a theological and literary exploration written in the late 19th century. The central focus of the work is to trace the evolution of religious poetry in England, emphasizing its deep connection with the nation's religious and cultural history through various periods, particularly how this poetry reflects the spiritual condition of the people. MacDonald aims to foster a greater understanding and appreciation among readers for the works of poets who contributed to this poetic tradition over the centuries. The opening of "England's Antiphon" sets the stage for an in-depth examination of English religious poetry, starting with a preface where MacDonald outlines his intentions and methodologies. He contemplates the origins of poetry and its inherent link to worship, asserting that the deepest truths of faith resonate within lyrical forms. He introduces the concept of the "antiphon," or responsive singing in communal worship, as a guiding principle for his selections of poetry. As he moves into the analysis of sacred lyrics from the 13th century, he reflects on societal upheavals, the spiritual struggles of the Church, and the quiet growth of the people's faith amid turmoil. This introductory portion hints at a rich tapestry of poetry that seeks to illuminate the path of religious thought through the ages while inviting readers to engage emotionally with the lyrical expressions of past generations. (This is an automatically generated summary.)

George MacDonald was a Scottish author, poet and Christian Congregational minister. He became a pioneering figure in the field of modern fantasy literature and the mentor of fellow-writer Lewis Carroll. In addition to his fairy tales, MacDonald wrote several works of Christian theology, including several collections of sermons.