A Practical Discourse on Some Principles of Hymn-Singing

"A Practical Discourse on Some Principles of Hymn-Singing" by Robert Bridges is a scholarly treatise written in the early 20th century. This book discusses the emotive and aesthetic principles involved in hymn-singing, analyzing the relationship between music and religious expression. Bridges aims to explore what constitutes effective hymnody, critique contemporary practices, and advocate for a return to more dignified and moving musical expressions within church settings. In this discourse, Bridges delves into the historical context of hymn-singing, referencing figures like St. Augustine to underscore the emotional impact of church music. He emphasizes the necessity of music serving to elevate religious emotion rather than distract from it, proposing that the music of hymns should align closely with the words sung. Bridges critiques the modern hymnals of his time for their lack of dignity and emotional depth, advocating for the revival of older, more expressive melodies. By categorizing various emotional responses to music, he argues for a more thoughtful selection of hymn tunes and a concerted effort to create an ecclesiastical music that resonates with the worshippers in the pews. Ultimately, the text is a call for both musical reform and a deeper understanding of the sacredness of hymn-singing. (This is an automatically generated summary.)

Robert Seymour Bridges was a British poet who was Poet Laureate from 1913 to 1930. A doctor by training, he achieved literary fame only late in life. His poems reflect a deep Christian faith, and he is the author of many well-known hymns. It was through Bridges's efforts that the poet Gerard Manley Hopkins achieved posthumous fame.