The Inflexible Captive: A Tragedy, in Five Acts

"The Inflexible Captive: A Tragedy, in Five Acts" by Hannah More is a historical tragedy likely written in the early 19th century. The play centers around the character of Regulus, a Roman general who is taken captive during the First Punic War and faces the moral dilemma of returning to Carthage as a prisoner or violating his oath to his captors. The themes of honor, sacrifice, and the conflicting demands of personal duty and national allegiance are prevalent, setting the stage for a gripping exploration of the sources of true heroism. The opening of the tragedy introduces a dramatic backdrop of ancient Rome and the turbulent emotions surrounding Regulus' captivity. Attilia, Regulus's daughter, impulsively seeks to appeal to the Senate for her father's release, showcasing her desperation and courage as she confronts powerful figures like the Consul Manlius. The narrative unfolds to reveal the deep bond between father and child, while Regulus’s unwavering commitment to honor and duty poses a stark contrast to the conflicting desires of those around him. As the scene sets up the key conflict of the play—whether Regulus will prioritize his personal freedom or adhere to his principles—the tension builds, presenting a poignant prelude to the overarching themes of sacrifice and virtue in the midst of despair. (This is an automatically generated summary.)

Hannah More was an English religious writer, philanthropist, poet, and playwright in the circle of Johnson, Reynolds and Garrick, who wrote on moral and religious subjects. Born in Bristol, she taught at a school her father founded there and began writing plays. She became involved in the London literary elite and a leading Bluestocking member. Her later plays and poetry became more evangelical. She joined a group opposing the slave trade. In the 1790s she wrote Cheap Repository Tracts on moral, religious and political topics, to distribute to the literate poor. Meanwhile, she broadened her links with schools she and her sister Martha had founded in rural Somerset. These curbed their teaching of the poor, allowing limited reading but no writing. More was noted for her political conservatism, being described as an anti-feminist, a "counter-revolutionary", or a conservative feminist.