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Practical Education, Volume II

By Maria Edgeworth

(3.5 stars) • 10 reviews

"Practical Education, Volume II" by Maria Edgeworth and Richard Lovell Edgeworth is an educational treatise written in the early 19th century. The boo...

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2009-05-07
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Overview

"Practical Education, Volume II" by Maria Edgeworth and Richard Lovell Edgeworth is an educational treatise written in the early 19th century. The book discusses various aspects of education, emphasizing theories and methods for teaching children effectively. Its likely topics include grammar, classical literature, geography, and arithmetic, with a focus on fostering reasoning abilities and making learning engaging. The opening of the volume delves into the teaching of grammar and classical literature, highlighting the inadequacies of traditional methods and advocating for more rational approaches to education. The text begins by addressing the societal pressures on parents to ensure their children are well-versed in classical languages, emphasizing that understanding should precede rote memorization. The authors critique existing educational practices, arguing that many textbooks propagate confusing concepts and encourage rote learning without comprehension. Instead, they suggest that children should engage with language through conversation and practical examples, thereby developing a deeper connection to their learning. This pragmatic approach sets the tone for the remaining chapters, which likely continue to explore educational strategies across different subjects. (This is an automatically generated summary.)

About the Author

Maria Edgeworth was a prolific Anglo-Irish novelist of adults' and children's literature. She was one of the first realist writers in children's literature and a significant figure in the evolution of the novel in Europe. She held critical views on estate management, politics, and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo. During the first decade of the 19th century she was one of the most widely read novelists in Britain and Ireland. Her name today is most commonly associated with Castle Rackrent, her first novel, in which she adopted an Irish Catholic voice to narrate the dissipation and decline of a family from her own landed Anglo-Irish class.

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