Chinese Sketches

"Chinese Sketches" by Herbert Allen Giles is a collection of essays that explores various aspects of Chinese culture, society, and history, written in the late 19th century. The author draws upon his experiences during eight years spent in China, challenging common Western prejudices by presenting nuanced sketches of life in the celestial empire. Throughout the text, Giles aims to provide a fair and balanced view of Chinese society, countering the negative stereotypes often held by foreigners regarding the Chinese people. The opening of "Chinese Sketches" introduces the reader to the death of Emperor Tsai-Shun (T'ung Chih), detailing the events and rituals surrounding his untimely demise at a young age. Through this account, the author elucidates Chinese customs related to mourning and the significance placed on emperors by their subjects. This section is followed by a discussion on the contrasting perceptions of women's positions in Chinese society, illustrating both the hardships faced by lower-class women and the misconceptions held by foreigners. Giles's writing blends narrative storytelling with social commentary, setting the stage for his broader exploration of Chinese life and culture throughout the book. (This is an automatically generated summary.)

Herbert Allen Giles was a British diplomat and sinologist who was the professor of Chinese at the University of Cambridge for 35 years. Giles was educated at Charterhouse School before becoming a British diplomat in China. He modified a Mandarin Chinese romanization system established by Thomas Wade, resulting in the widely known Wade–Giles Chinese romanization system. Among his many works were translations of the Analects of Confucius, the Lao Tzu , the Chuang Tzu, and, in 1892, the widely published A Chinese–English Dictionary.