"The Battle Ground" by Ellen Anderson Gholson Glasgow is a novel written during the early 20th century. Set against the backdrop of the American South, it explores themes of family, social class, and the complexities of growing up in a world shaped by the legacies of slavery and the Civil War. The narrative likely revolves around the lives of young characters, including Betty and Dan, whose interactions reveal their struggles, friendships, and conflicts as they navigate their childhood and the expectations of society. The opening of "The Battle Ground" introduces us to a summer afternoon, where a group of children plays and engages in innocent banter surrounding local lore and their relationships with both each other and the adult world. The dialogue captures the carefree yet competitive spirit of childhood, establishing Betty, a spirited girl, and Champe, a boy who maintains a sense of superiority. The idyllic rural setting contrasts with hints of the darker realities of the time, as the children witness the sale of enslaved individuals, represented by the wagon filled with Mr. Willis's servants. The interaction between Betty and Aunt Ailsey showcases the children's innocence while also bringing to light the cultural practices and beliefs of the time, particularly surrounding magic and conjuring. This nuanced beginning sets the stage for deeper explorations of race, class, and the transition from childhood into the complexities of adult societal expectations. (This is an automatically generated summary.)
The Battle Ground
By Ellen Anderson Gholson Glasgow
"The Battle Ground" by Ellen Anderson Gholson Glasgow is a novel written during the early 20th century. Set against the backdrop of the American South...
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Released
2004-11-01
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About the Author
Ellen Anderson Gholson Glasgow was an American novelist who won the Pulitzer Prize for the Novel in 1942 for her novel In This Our Life. She published 20 novels, as well as short stories, to critical acclaim. A lifelong Virginian, Glasgow portrayed the changing world of the contemporary South in a realistic manner, differing from the idealistic escapism that characterized Southern literature after Reconstruction.
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