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Camilla; or, A Picture of Youth

By Fanny Burney

(3.5 stars) β€’ 10 reviews

"Camilla; or, A Picture of Youth" by Fanny Burney is a novel written in the late 18th century. The story revolves around its main character, Camilla T...

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Released
2012-08-29
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Overview

"Camilla; or, A Picture of Youth" by Fanny Burney is a novel written in the late 18th century. The story revolves around its main character, Camilla Tyrold, a young and spirited girl raised in a respectable family, as she navigates the complexities of youth, relationships, and societal expectations. The novel delves into various themes of love, morality, and personal growth within the framework of familial dynamics and social class. At the start of the novel, we are introduced to Camilla and her family, particularly her kind-hearted father, Mr. Tyrold, and her mother, who embodies both warmth and strictness. The opening chapters depict a significant event – the arrival of Sir Hugh Tyrold, Camilla's wealthy uncle, who wishes to establish a closer relationship with his family. As he settles nearby with his daughter Indiana, the story hints at forthcoming complications in family relationships, particularly in regard to the affection and expectations of both Camilla and her cousin Indiana. The introduction sets the stage for the exploration of youthful adventures marked by innocence, rivalry, and the quest for identity amidst societal norms. (This is an automatically generated summary.)

About the Author

Frances Burney, also known as Fanny Burney and later Madame d'Arblay, was an English satirical novelist, diarist and playwright. In 1786–1790 she held the post of "Keeper of the Robes" to Charlotte of Mecklenburg-Strelitz, George III's queen. In 1793, aged 41, she married a French exile, General Alexandre d'Arblay. After a long writing career and wartime travels that stranded her in France for over a decade, she settled in Bath, England, where she died on 6 January 1840. The first of her four novels, Evelina (1778), was the most successful and remains her most highly regarded, followed by Cecilia (1782). Most of her stage plays were not performed in her lifetime. She wrote a memoir of her father (1832) and many letters and journals that have been gradually published since 1889, forty-nine years after her death.

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