Heraldry as art: An account of its development and practice, chiefly in England

"Heraldry as Art: An Account of its Development and Practice, Chiefly in England" by G. W. Eve is a historical account written in the early 20th century. This work delves into the principles and artistic aspects of heraldry, highlighting its ornamental and historical significance, particularly in England. It aims to provide both artists and those interested in the subject with helpful insights and methods for understanding and creating heraldic designs. At the start of the book, the author outlines the intention behind the text, emphasizing the need to present the essential principles of heraldic art simply and effectively. Eve touches on the origins of heraldry, linking it to ancient practices of symbolism that emerged with mankind's desire to express qualities through natural forms. He explores how heraldry became systematized around the 11th century and flourished until the 16th century, setting the stage for a deeper examination of its usage, symbolism, and techniques in subsequent chapters. The opening illustrates the interplay between heraldry, personal identity, and its evolution in both martial and decorative contexts. (This is an automatically generated summary.)

George William Eve, (1855-1914) was an English etcher, who designed bookplates and also several important British stamps. He was an authority on heraldry, a member of the Heralds' College, a Fellow of the Royal Society of Painter-Etchers and Engravers and a member of the Art Workers' Guild. When the Painter-Etchers and Engravers required a new diploma, it was Eve who was chosen from amongst their ranks to create it.