"Pastiche and Prejudice" by Arthur Bingham Walkley is a collection of essays and critiques written during the early 20th century. The work explores various literary forms, especially focusing on the concept of pastiche as a creative expression, and its relationship with original works, touching on themes of imitation and artistic authenticity. Walkley reflects on renowned authors like Jane Austen and Marcel Proust, offering insights into their styles and the challenges of emulating them without falling into parody. The opening of this work delves into the nuances of pastiche and its rarities, setting the stage for a thoughtful discussion on the intersection of originality and imitation in literature. Walkley illustrates his arguments with examples, such as theatrical rehearsals that blur the lines between original and imitated performances. He also contrasts different authors' styles, showcasing how the passage of time affects literary expression and leading to misconceptions about past and present forms. This introduction establishes a contemplative tone and invites readers to consider their own perceptions of literary pastiche. (This is an automatically generated summary.)
Pastiche and prejudice
By Arthur Bingham Walkley
Articles reprinted from the Times.
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2022-08-27
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About the Author
Arthur Bingham Walkley, usually known as A B Walkley, was an English public servant and drama critic. As a civil servant he worked for the General Post Office from 1877 to 1919, in increasingly senior posts; he did not seek the highest official positions, preferring to leave himself time and energy for his parallel career as a drama critic. As a journalist he worked with Bernard Shaw on The Star at the beginning of his newspaper career; he is probably best known for his twenty-six years as theatre critic of The Times. He retired from the Post Office in 1919, and for the last six years of his life concentrated wholly on writing.
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