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The Metamorphoses of Ovid, Books I-VII

By Ovid

(3.5 stars) • 10 reviews

"The Metamorphoses of Ovid, Books I-VII" by Ovid is a classical epic poem written in the early 1st century AD. This work is a seminal collection of my...

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2007-06-08
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Overview

"The Metamorphoses of Ovid, Books I-VII" by Ovid is a classical epic poem written in the early 1st century AD. This work is a seminal collection of mythological tales from ancient Greece and Rome, exploring themes of transformation and the divine interplay between gods and humans. Through the lens of these myths, the narrative delves into the creation of the world, the origin of humankind, and the consequences of divine retribution against human behavior. At the start of the text, the focus is on the creation narrative where Chaos is ordered by the deity, giving rise to the four elements: earth, air, fire, and water, eventually leading to the creation of man. Ovid introduces the Golden Age, followed by the subsequent ages of Silver, Bronze, and Iron, illustrating humanity's gradual moral decline. The text then recounts the defiance of the Giants, who aspire to overthrow the gods, leading to their punishment and the decision to flood the earth. Among the survivors are Deucalion and Pyrrha, who are ultimately commanded to repopulate the earth after the flood by casting stones, which transform into humans, symbolizing renewal and resilience. (This is an automatically generated summary.)

About the Author

Publius Ovidius Naso, known in English as Ovid, was a Roman poet who lived during the reign of Augustus. He was a younger contemporary of Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists. Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus exiled him to Tomis, the capital of the newly-organised province of Moesia, on the Black Sea, where he remained for the last nine or ten years of his life. Ovid himself attributed his banishment to a "poem and a mistake", but his reluctance to disclose specifics has resulted in much speculation among scholars.

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