"The Blue Jar Story Book" by Maria Edgeworth, Charles Lamb, Mary Lamb, Alicia C. Mant, and others is a collection of illustrated children's stories likely written in the early 20th century. This anthology features charming tales aimed at young readers, with themes that often instruct moral lessons and foster good values. The stories revolve around children and their adventures, decisions, and life lessons, such as the story of Rosamond and her fateful choice between a blue jar and a pair of shoes. At the start of the collection, the opening story centers on a young girl named Rosamond who accompanies her mother through the bustling streets of London. As they pass various shops, Rosamond expresses her desire for beautiful items she sees, including a blue flower-pot. After a delightful but ultimately disappointing decision-making process, Rosamond chooses the flower-pot over new shoes, believing it would bring her happiness. However, upon receiving the jar, she discovers it is not blue as she had hoped, leading to a lesson about the importance of wisdom in choices, understanding the consequences, and dealing with disappointment. This narrative sets the tone for the engaging and instructional tales that follow in the rest of the book. (This is an automatically generated summary.)
The Blue Jar Story Book
By Maria Edgeworth
"The Blue Jar Story Book" by Maria Edgeworth, Charles Lamb, Mary Lamb, Alicia C. Mant, and others is a collection of illustrated children's stories li...
Maria Edgeworth was a prolific Anglo-Irish novelist of adults' and children's literature. She was one of the first realist writers in children's literature and a significant figure in the evolution of the novel in Europe. She held critical views on estate management, politics, and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo. During the first decade of the 19th century she was one of the most widely read novelists in Britain and Ireland. Her name today is most commonly associated with Castle Rackrent, her first novel, in which she adopted an Irish Catholic voice to narrate the dissipation and decline of a family from her own landed Anglo-Irish class.