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The Little Dog Trusty; The Orange Man; and the Cherry Orchard; Being the Tenth Part of Early Lessons (1801)

By Maria Edgeworth

(3.5 stars) • 10 reviews

"The Little Dog Trusty; The Orange Man; and the Cherry Orchard; Being the Tenth Part of Early Lessons" by the author of "The Parent's Assistant" is a ...

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2011-05-21
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Overview

"The Little Dog Trusty; The Orange Man; and the Cherry Orchard; Being the Tenth Part of Early Lessons" by the author of "The Parent's Assistant" is a children's book written in the early 19th century. This book consists of three moral tales aimed at educating young readers about the values of honesty, truthfulness, and good behavior. Each story is illustrated with relatable characters and simple lessons, making it appropriate for young children learning about ethics and personal conduct. The book contains three distinct tales: "The Little Dog Trusty," which tells the story of two brothers, Frank and Robert, contrasting the consequences of honesty versus deceit; "The Orange Man," focusing on an honest boy named Charles and a thief named Ned, illustrating the importance of integrity; and "The Cherry Orchard," which features Marianne, a good-natured girl, and her cousin Owen, who learns the importance of being kind and cooperative. Throughout these stories, children are presented with moral dilemmas and the lessons reflect on the significance of telling the truth, making good choices, and the benefits of maintaining a positive attitude, ultimately encouraging young readers to aspire to be kind and honest individuals. (This is an automatically generated summary.)

About the Author

Maria Edgeworth was a prolific Anglo-Irish novelist of adults' and children's literature. She was one of the first realist writers in children's literature and a significant figure in the evolution of the novel in Europe. She held critical views on estate management, politics, and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo. During the first decade of the 19th century she was one of the most widely read novelists in Britain and Ireland. Her name today is most commonly associated with Castle Rackrent, her first novel, in which she adopted an Irish Catholic voice to narrate the dissipation and decline of a family from her own landed Anglo-Irish class.

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