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The Cream of the Jest: A comedy of evasions

By James Branch Cabell

(3.5 stars) • 10 reviews

"The Cream of the Jest: A Comedy of Evasions" by James Branch Cabell is a novel written in the early 20th century. The story revolves around Felix Ken...

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2021-08-26
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Overview

"The Cream of the Jest: A Comedy of Evasions" by James Branch Cabell is a novel written in the early 20th century. The story revolves around Felix Kennaston, a writer who experiences a profound transformation in his life and art, entwined with the fantastical elements of medieval romance and a complex narrative structure. Kennaston's dual existence runs between the realms of his fictional creations and his mundane life, exploring themes of love, creativity, and the nature of reality. The opening of the novel establishes a rich tapestry of characters and settings, beginning with a wedding feast in the fantastical land of Poictesme, where Count Emmerick prepares celebrations for his sister La Beale Ettarre and her intended, Sir Guiron des Rocques. Amidst the festivities, the clerk Horvendile serves as a lens through which we witness the dynamics of courtly love, envy, and ambition. Horvendile, deeply infatuated with Ettarre, expresses his frustrations and insecurities while contemplating the nature of nobility and human relationships, setting the stage for the unfolding drama and revelations about the struggles of love and artistry that will permeate the story. The complex interplay between reality and fiction begins to form, hinting at Kennaston's ongoing journey as a creator amidst the powerful forces of desire and ambition that shape his characters' fates. (This is an automatically generated summary.)

About the Author

James Branch Cabell was an American author of fantasy fiction and belles-lettres. Cabell was well-regarded by his contemporaries, including H. L. Mencken, Edmund Wilson, and Sinclair Lewis. His works were considered escapist and fit well in the culture of the 1920s, when they were most popular. For Cabell, veracity was "the one unpardonable sin, not merely against art, but against human welfare".

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