Faery Lands of the South Seas

"Faery Lands of the South Seas" by James Norman Hall and Charles Nordhoff is a travel narrative written in the early 20th century. The book chronicles the authors' expedition to the remote islands of the South Pacific, primarily focusing on the exploration of Polynesian culture, landscapes, and their own reflections on life during this journey. Central to the narrative is the juxtaposition of the authors' experiences with the enchanting yet simple lives of the islanders they encounter. The opening of "Faery Lands of the South Seas" sets the stage for the adventure that James Norman Hall and Charles Nordhoff embark upon following the end of World War I. It begins with a nostalgic reflection on their life in Paris, where they discuss their longing for new adventures, ultimately leading them to the South Pacific islands. As they approach Tahiti, they describe the breathtaking beauty of the islands, emphasizing the charm and simplicity of the local inhabitants' way of life. The authors recognize the allure of the unspoiled nature and the rich culture of the islands, setting a tone of reverence and curiosity that will characterize their explorations throughout the text. (This is an automatically generated summary.)

James Norman Hall was an American writer best known for The Bounty Trilogy, three historical novels he wrote with Charles Nordhoff: Mutiny on the Bounty (1932), Men Against the Sea (1934) and Pitcairn's Island (1934). During World War I, Hall had the distinction of serving in the militaries of three Western allies: Great Britain as an infantryman, and then France and the United States as an aviator. His awards include the Croix de Guerre, the Médaille Militaire, the Légion d'Honneur and the Distinguished Service Cross. After the war, Hall spent much of his life on the island of Tahiti, where he and Nordhoff wrote a number of successful adventure books, many adapted for film. He was also the father of Conrad L. Hall, regarded as one of the ten most influential cinematographers in film history.