An Art-Lovers Guide to the Exposition Explanations of the Architecture, Sculpture and Mural Paintings, With a Guide for Study in the Art Gallery

"An Art-Lover's Guide to the Exposition" by Sheldon Cheney is an art guidebook written in the early 20th century. This volume is designed to provide readers with an understanding and appreciation of the architectural and artistic features of the Panama-Pacific International Exposition, which celebrated the completion of the Panama Canal. The book delves into the symbolism behind the architecture, sculpture, and mural paintings, aiming to enrich the experience of visitors to the Exposition by revealing the deeper meanings and artistic intentions of the works displayed. The opening of the book presents a foreword that sets the stage for the reader's journey through the various artistic elements of the Exposition. Cheney introduces the overall theme of "achievement," reflecting the spirit of progress and triumph evident in the architectural designs and sculptures. He emphasizes the harmony among the various artistic components, promoting an appreciation for the coordination among architects, sculptors, and painters involved in the Exposition. The reader is invited to explore individual sections detailing notable exhibits, architectural styles, and significant sculptures, all framed within the context of American cultural and artistic evolution during this period. This opening portion lays a foundation for a thoughtful exploration of the artistic heritage encapsulated within the Exposition. (This is an automatically generated summary.)

Sheldon Warren Cheney was an American author and art critic, born at Berkeley, California, the son of Lemuel Warren Cheney (1858–1921), California lawyer and writer, and May L. Cheney (1862–1942), Appointment Secretary at University of California, Berkeley for over forty years. At first he worked in his father's real estate business, later moving to Detroit where he founded the Theatre Arts Magazine in 1916 and edited it until 1921. Cheney was one of the most significant pro-modernist theatre and art critics of the early twentieth century. He helped introduce European modernist practices in theatre to the United States. His Theatre Arts Magazine promoted American little theatre activity, advocated for New Stagecraft design, and nurtured new American playwrights.