"Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10)" by Giorgio Vasari is a historical account written in the late 16th century. This volume provides detailed biographies of significant artists from the Italian Renaissance, specifically focusing on influential figures such as Andrea da Fiesole, Vincenzio da San Gimignano, and Timoteo da Urbino. Vasari’s work stands as a cornerstone for understanding the lives and contributions of these eminent artists and the context of their times. The opening of this volume introduces Andrea da Fiesole, detailing his early training in sculpture and his progression to notable works, including a chapel built in Imola and the baptismal font in Pistoia. It highlights not just his technical skill but also the artistic qualities developed through experience and mentorship. Following this, Vasari transitions to other celebrated artists, showcasing their contributions to art and architecture, emphasizing the rivalry, collaboration, and creative evolution inherent in Renaissance artistry. This opening sets a reverent tone, merging anecdotal insights with a celebration of talent and legacy, inviting readers into the broader narratives of significant artistic figures and their enduring impact on art history. (This is an automatically generated summary.)
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10) Andrea da Fiesole to Lorenzo Lotto
By Giorgio Vasari
"Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10)" by Giorgio Vasari is a historical account written in the late 16th cent...
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2009-03-27
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About the Author
Giorgio Vasari was an Italian Renaissance painter, architect, art historian and biographer, who is best known for his work Lives of the Most Excellent Painters, Sculptors, and Architects, considered the ideological foundation of all art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers, including Leonardo da Vinci and Michelangelo, although he is now regarded as including many factual errors, especially when covering artists from before he was born.
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