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Bell's Cathedrals: The Cathedral Church of Wells A Description of Its Fabric and a Brief History of the Episcopal See

By Percy Dearmer

(3.5 stars) • 10 reviews

"Bell's Cathedrals: The Cathedral Church of Wells" by Percy Dearmer is a historical account written in the late 19th century. This work delves into th...

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2010-05-07
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Overview

"Bell's Cathedrals: The Cathedral Church of Wells" by Percy Dearmer is a historical account written in the late 19th century. This work delves into the architectural fabric and historical significance of Wells Cathedral, providing insights suitable for both casual visitors and scholars interested in the complexities of cathedral history and architecture. The book aims to document the intricate details and the evolution of the cathedral over time, highlighting its importance within the ecclesiastical landscape of England. At the start of the work, Dearmer sets the stage for an exploration of Wells Cathedral, describing its historical foundation, architectural elements, and the various ecclesiastical figures associated with its development. He references earlier works and scholars, acknowledging the contributions of others to his research while outlining the ecclesiastical history from its initial establishment under King Ina to the various bishops who contributed to its reconstruction and enhancement. The narrative is rich with historical context, making it clear that the cathedral is more than just a building; it embodies the religious and cultural heritage of the region, supported by the intricate craftsmanship evident in its design and the legacy of its community. (This is an automatically generated summary.)

About the Author

Percival Dearmer was an English Anglican priest and liturgist best known as the author of The Parson's Handbook, a liturgical manual for Anglican clergy, and as editor of The English Hymnal. A lifelong socialist, he was an early advocate of the public ministry of women and concerned with social justice. Dearmer, with Ralph Vaughan Williams and Martin Shaw, helped revive and spread traditional and medieval English musical forms. His ideas on patterns of worship have been linked to the Arts and Crafts Movement, while The English Hymnal reflects both folkloric scholarship and Christian Socialism. At his death, he was a canon of Westminster Abbey, where he ran a canteen for the unemployed.

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