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Mary Olivier: a Life

By May Sinclair

(3.5 stars) • 10 reviews

"Mary Olivier: A Life" by May Sinclair is a semi-autobiographical novel written in the early 20th century. The narrative revolves around Mary Olivier,...

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Released
2005-11-01
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Overview

"Mary Olivier: A Life" by May Sinclair is a semi-autobiographical novel written in the early 20th century. The narrative revolves around Mary Olivier, a young girl growing up in a well-off English family, exploring her childhood experiences in a richly detailed and evocative manner. The book delves into themes of family dynamics, personal identity, and the complex nature of childhood, as seen through Mary's innocent yet perceptive lens. At the start of the novel, readers are introduced to Mary's early life, beginning with her infancy and transitioning into childhood, exploring her interactions with her family and caregivers. The opening chapters vividly depict her sensory experiences, from the sights and sounds of her home environment to her imaginative play and her relationships with her mother, father, and siblings. The narrative captures her feelings of love, fear, curiosity, and jealousy, particularly in moments of conflict between her desires and parental expectations. This rich portrayal of a young girl's inner world sets the stage for Mary's development, promising a journey filled with emotional depth and the trials of growing up. (This is an automatically generated summary.)

About the Author

May Sinclair was the pseudonym of Mary Amelia St. Clair, a popular British writer who wrote about two dozen novels, short stories and poetry. She was an active suffragist, and member of the Woman Writers' Suffrage League. She once dressed up as a demure, rebel Jane Austen for a suffrage fundraising event. Sinclair was also a significant critic in the area of modernist poetry and prose, and she is attributed with first using the term 'stream of consciousness' in a literary context, when reviewing the first volumes of Dorothy Richardson's novel sequence Pilgrimage (1915–1967), in The Egoist, April 1918.

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