The Great Adventure: A Play of Fancy in Four Acts

"The Great Adventure: A Play of Fancy in Four Acts" by Arnold Bennett is a theatrical play written during the early 20th century. The narrative revolves around Ilam Carve, an illustrious painter, and his interactions with various characters who influence his life and work as he navigates the complexities of fame, illness, and personal relationships. The play delves into themes of art, societal expectations, and the personal struggles faced by an artist in the public eye. The opening of the play introduces us to Ilam Carve's residence, where we find his valet, Albert Shawn, gravely ill. Ilam, who is initially unaware of the gravity of the situation, rushes to find a doctor, revealing a sense of chaotic urgency. As the doctor examines Shawn, it becomes clear that his condition is serious, prompting a thoughtful backdrop to Ilam's character—who is portrayed as somewhat self-absorbed and oblivious to the emotions surrounding him. The arrival of Janet Cannot, a widow, complicates the dynamics as she exhibits curiosity about the ongoing situation, hinting at a budding connection with Carve. This setup sets the stage for a mix of humor, drama, and introspective exploration that characterizes Bennett's work. (This is an automatically generated summary.)

Enoch Arnold Bennett was an English author, best known as a novelist, who wrote prolifically. Between the 1890s and the 1930s he completed 34 novels, seven volumes of short stories, 13 plays, and a daily journal totalling more than a million words. He wrote articles and stories for more than 100 newspapers and periodicals, worked in and briefly ran the Ministry of Information during the First World War, and wrote for the cinema in the 1920s. Sales of his books were substantial, and he was the most financially successful British author of his day.