The Mentor: Russian Music, Vol. 4, Num. 18, Serial No. 118, November 1, 1916

"The Mentor: Russian Music, Vol. 4, Num. 18, Serial No. 118, November 1, 1916" by Henry T. Finck is a historical music publication that delves into the development of Russian music throughout the 18th and 19th centuries. Written in the early 20th century, this work discusses the evolution of national music in Russia, highlighting key composers and their contributions to the genre. The book likely explores how Russian music has blended indigenous folk traditions with European influences and how it has emerged as a distinct form of artistic expression. The content of this edition is structured around detailed profiles of influential Russian composers, beginning with Michal Ivanovich Glinka, who is considered a pioneer of Russian opera, and continues through notable figures such as Anton Rubinstein, Modeste Moussorgsky, Peter Ilich Tchaikovsky, and Igor Stravinsky. Each segment provides insight into their lives, influences, and major works, establishing the foundational narrative of Russian music's rise to prominence. The publication also explores the integration of folk music and the sociopolitical conditions that shaped the artistic consciousness of these composers, ultimately creating a cohesive picture of the heritage and evolution of Russian musical tradition. (This is an automatically generated summary.)

Henry Theophilus Finck was an American music critic and author. Among "the most prolific and influential critics of his day", he was chief classical music critic of both the New York Evening Post and The Nation from 1881 to 1924. He championed Romantic music, promoting composers such as Liszt, Wagner, Grieg and MacDowell. Along with his contemporaries Richard Aldrich, W.J. Henderson, James Huneker and Henry Edward Krehbiel, Finck is considered part of the 'Old Guard', a group of leading New York–based music critics who first established a uniquely American school of criticism.