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The Mentor: The Ring of the Nibelung, Vol. 3, Num. 24, Serial No. 100, February 1, 1916

By Henry T. Finck

(3.5 stars) • 10 reviews

"The Mentor: The Ring of the Nibelung, Vol. 3, Num. 24, Serial No. 100" by Väinö Kataja is a collection of novellas written in the early 20th century....

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2016-03-19
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Overview

"The Mentor: The Ring of the Nibelung, Vol. 3, Num. 24, Serial No. 100" by Väinö Kataja is a collection of novellas written in the early 20th century. The book explores various themes through its characters, capturing incidents from rural life, nature, and human experiences in a Finnish setting. The stories within reveal the complexities of community life, engaging with local customs, struggles, and personalities. At the start of the opening portion, we are introduced to the tale of "Niittymatoja hävittämässä," which focuses on the devastation caused by meadow worms in the village of Yliranta. The main character, Aukusti Joakim, observes the destruction of his meadow by these pests, leading to various discussions with his neighbor Järvelä about their impact on the agricultural landscape. As the narrative progresses, we witness local farmers' attempts to comprehend and combat the infestation, highlighting their interactions and the rural community's dynamics. The scene elegantly combines humor with a depiction of agricultural realities, establishing a vivid setting that invites readers into the world of Finnish village life. (This is an automatically generated summary.)

About the Author

Henry Theophilus Finck was an American music critic and author. Among "the most prolific and influential critics of his day", he was chief classical music critic of both the New York Evening Post and The Nation from 1881 to 1924. He championed Romantic music, promoting composers such as Liszt, Wagner, Grieg and MacDowell. Along with his contemporaries Richard Aldrich, W.J. Henderson, James Huneker and Henry Edward Krehbiel, Finck is considered part of the 'Old Guard', a group of leading New York–based music critics who first established a uniquely American school of criticism.

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