Letters of Felix Mendelssohn-Bartholdy from 1833 to 1847

"Letters of Felix Mendelssohn-Bartholdy from 1833 to 1847" by Mendelssohn-Bartholdy is a collection of personal correspondence written during the early to mid-19th century. This compilation offers readers an intimate glimpse into the life, thoughts, and experiences of the renowned composer during a significant period of his career, reflecting both his professional challenges and personal reflections related to music, art, and relationships. The opening of this collection sets the tone for Mendelssohn's candid and thoughtful expressions, revealing his passion for music and the artistic process. In his letters, he discusses various topics, including his musical creations, the complexities of his social and artistic circles, and the emotional nuances tied to his work. His correspondence with colleagues, family members, and friends illustrates not only his dedication to composition but also his contemplations on the nature of music, the challenges faced in the theatrical world, and the joy he finds in his domestic life. These opening letters effectively establish a rich narrative that invites readers to explore the multifaceted life of a musical genius. (This is an automatically generated summary.)

Jakob Ludwig Felix Mendelssohn Bartholdy, widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto, the String Octet, and the melody used in the Christmas carol "Hark! The Herald Angels Sing". Mendelssohn's Songs Without Words are his most famous solo piano compositions.