"The Serapion Brethren, Vol. I." by E. T. A. Hoffmann is a collection of stories written in the early 19th century. The book likely explores themes of friendship, artistic striving, and the passage of time through a rich tapestry of characters engaging in deep, philosophical conversations, often interlaced with supernatural or whimsical elements. Notable figures such as Lothair, Theodore, and Cyprian introduce a blend of dramatic personal histories and ongoing existential reflections. The opening of the volume sets the stage for a reunion of old friends who haven’t seen each other in twelve years, exploring their disillusionment with the inevitable changes that life brings. Lothair voices a melancholic sentiment regarding the past and how it can never be fully reclaimed, prompting a debate among the friends about the nature of change and personal growth. As they acknowledge their childish expectations of a seamless reconnection, they decide to forge a new bond, with the intention of meeting weekly to rekindle their friendship. Their discussion creates an atmosphere of introspection and nostalgia, leading to the occurrence of odd and surreal anecdotes, hinting at the thematic richness that awaits in the stories to follow. (This is an automatically generated summary.)
The Serapion Brethren, Vol. I.
By E. T. A. (Ernst Theodor Amadeus) Hoffmann
"The Serapion Brethren, Vol. I." by E. T. A. Hoffmann is a collection of stories written in the early 19th century. The book likely explores themes of...
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2010-03-29
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About the Author
Ernst Theodor Amadeus Hoffmann was a German Romantic author of fantasy and Gothic horror, a jurist, composer, music critic and artist. His stories form the basis of Jacques Offenbach's opera The Tales of Hoffmann, in which Hoffmann appears as the hero. He is also the author of the novella The Nutcracker and the Mouse King, on which Pyotr Ilyich Tchaikovsky's ballet The Nutcracker is based. The ballet Coppélia is based on two other stories that Hoffmann wrote, while Schumann's Kreisleriana is based on Hoffmann's character Johannes Kreisler.
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