Main Currents in Nineteenth Century Literature - 6. Young Germany

"Main Currents in Nineteenth Century Literature - 6. Young Germany" by Georg Brandes is a historical and literary analysis written in the early 20th century. This volume examines the literary movement known as Young Germany and its context within the socio-political landscape of the 19th century, focusing particularly on the reactionary political climate following the Napoleonic Wars and the influence of revolutionary movements. The work reflects on key literary figures and the role of literature as a vehicle for political and societal critique during a time of unrest and emerging nationalism in Germany. The opening of the book situates the Young Germany movement against the backdrop of significant political repression following the Napoleonic Wars, particularly under figures like Metternich, who sought to quell revolutionary sentiment. Brandes describes the disappointment among the German youth who had hoped for unification and freedom but faced a harsh reality of reactionary politics. Notable individuals such as Ludwig Börne and Heinrich Heine emerge as voices of resistance against this oppression, employing their literary works to advocate for freedom and national identity. The early chapters emphasize the bleak state of German society and the yearning for political liberty, setting the stage for a deeper exploration of how literature intersected with the cultural and political currents of the time. (This is an automatically generated summary.)

Georg Morris Cohen Brandes was a Danish critic and scholar who greatly influenced Scandinavian and European literature from the 1870s through the turn of the 20th century. He is seen as the theorist behind the "Modern Breakthrough" of Scandinavian culture. At the age of 30, Brandes formulated the principles of a new realism and naturalism, condemning hyper-aesthetic writing and also fantasy in literature. His literary goals were shared by some other authors, among them the Norwegian "realist" playwright Henrik Ibsen.