Negro workaday songs

"Negro Workaday Songs" by Howard Washington Odum and Guy Benton Johnson is a sociological study written in the early 20th century. This work serves as a collection of folk songs primarily from African American workers in the Southern United States, reflecting their daily lives, struggles, and cultural expressions. The book aims to present authentic portrayals of the Negro experience through these workaday songs, going beyond mere aesthetic appreciation to explore their social significance. The beginning of this volume sets the stage for an exploration of the rich tapestry of African American folk music born from labor and hardship. The authors intend to document the context in which these songs were created, drawing from real-life experiences of the singers. They emphasize the wealth of material available, noting songs ranging from prison anthems to lamentation ballads, and highlight the importance of these expressions as mirrors of the collective character and struggles of the black community during a transformative era in American history. Each song is tied to themes of migration, labor challenges, and emotional journeys, with the authors asserting that these works break from traditional folk song classifications, revealing deeper societal truths. (This is an automatically generated summary.)

Howard Washington Odum was a white American sociologist and author who researched African-American life and folklore. Beginning in 1920, he served as a faculty member at the University of North Carolina, founding the university press, the journal Social Forces, and what is now the Howard W. Odum Institute for Research in Social Science, all in the 1920s. He also founded the university's School of Public Welfare, one of the first in the Southeast. With doctorates in psychology and sociology, he wrote extensively across academic disciplines, influencing several fields and publishing three novels in addition to 20 scholarly texts.