The development of British landscape painting in water-colours

"The Development of British Landscape Painting in Water-Colours" edited by Charles Holme, with contributions from Alexander J. Finberg and E. A. Taylor, is an art historical account written in the early 20th century. This work delves into the evolution of British landscape painting, specifically in the medium of water-colours, highlighting various artists and their unique contributions to the genre. The text aims to explore the development of artistic styles, techniques, and thematic subjects over time within this specific field of British art. The opening of this work presents an insightful discourse on the concept of "development" as it relates to art, cautioning against conflating artistic evolution with notions of progress. The authors argue that while a chronological sequence can be identified in the history of British water-colour painting, this does not necessarily indicate an improvement in artistic quality or value. They reminisce about early practitioners and underscore the importance of understanding the complex interplay between topographical accuracy and emotional resonance in landscape painting. This sets the stage for a thorough examination of the key figures in British landscape water-colour, such as Thomas Girtin and J.M.W. Turner, and introduces the significant influence of past artworks on contemporary practices. (This is an automatically generated summary.)

Alexander Joseph Finberg was an art historian focused on the History of British Art who was a founder of the Walpole Society and an expert on J. M. W. Turner.