Egyptian decorative art : $b A course of lectures delivered at the Royal Institution

"Egyptian Decorative Art: A Course of Lectures" by W. M. Flinders Petrie is a scholarly publication written in the late 19th century. The book discusses the principles and evolution of decorative art in ancient Egypt, exploring various elements such as geometric, natural, structural, and symbolic decorations. Through a structured approach, it highlights the historical context of Egyptian design and its influence on art in other cultures. The opening of the text sets the stage for an in-depth exploration of Egyptian decorative art, beginning with the sources of decoration. Petrie discusses the all-encompassing nature of Egyptian art, emphasizing the strong connection between form and decoration in every aspect of life. He addresses how Egyptian hieroglyphs themselves were not only a means of writing but also served as decorative elements, organized for visual harmony. Additionally, he hints at the complexities of design origin, contemplating the interplay between copying and re-invention across different cultures. This section provides a foundational understanding of the aesthetic values that characterized Egyptian art, suggesting further analysis of specific ornamental motifs in subsequent chapters. (This is an automatically generated summary.)

Sir William Matthew Flinders Petrie, commonly known as simply Sir Flinders Petrie, was a British Egyptologist and a pioneer of systematic methodology in archaeology and the preservation of artefacts. He held the first chair of Egyptology in the United Kingdom, and excavated many of the most important archaeological sites in Egypt in conjunction with his wife, Hilda Urlin. Some consider his most famous discovery to be that of the Merneptah Stele, an opinion with which Petrie himself concurred. Undoubtedly at least as important is his 1905 discovery and correct identification of the character of the Proto-Sinaitic script, the ancestor of almost all alphabetic scripts.