"Goethe's Theory of Colours" by Johann Wolfgang von Goethe is a scientific publication written in the early 19th century. This work explores the nature and perception of colors, challenging the established Newtonian theories of light and color through a more subjective and philosophical approach. It examines physiological, physical, and chemical aspects of colors, aiming to provide a comprehensive understanding of their effects on human perception and their implications for art and aesthetics. The opening of the treatise introduces the foundational ideas of Goethe’s theory. It discusses the relationship between light and colors, emphasizing the significance of experience and observation over entrenched scientific dogma. In the introductory sections, Goethe begins to delineate the effects of light and darkness on the human eye, explaining how the complexities of perception influence the way colors are interpreted. He highlights the dynamic interaction between the observer and their environment, suggesting that colors are inherently tied to both physiological responses and external stimuli. The translation by Charles Lock Eastlake provides a preface that contextualizes Goethe’s work within the broader scientific discourse of his time, foreshadowing the multifaceted exploration that follows. (This is an automatically generated summary.)
Goethe's Theory of Colours
By Johann Wolfgang von Goethe
Translation of: Zur Farbenlehre
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2015-11-29
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About the Author
Johann Wolfgang von Goethe was a German polymath, who is widely regarded as the greatest and most influential writer in the German language. His work has had a profound and wide-ranging influence on Western literary, political, and philosophical thought from the late 18th century to the present day. A poet, playwright, novelist, scientist, statesman, theatre director, and critic, his works include plays, poetry and aesthetic criticism, as well as treatises on botany, anatomy, and color.
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