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The Dread Voyage: Poems

By Wilfred Campbell

(3.5 stars) • 10 reviews

"The Dread Voyage: Poems" by William Wilfred Campbell is a collection of poetry written in the late 19th century. The poems explore themes of nature, ...

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2018-09-19
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Overview

"The Dread Voyage: Poems" by William Wilfred Campbell is a collection of poetry written in the late 19th century. The poems explore themes of nature, mortality, and human emotion, often invoking vivid imagery and deep philosophical reflections. The opening poem sets a foreboding tone, suggesting a journey laden with existential dread, and introduces readers to Campbell’s contemplative style and poignant exploration of the human experience. The beginning of the collection establishes a powerful atmosphere with the poem "The Dread Voyage," which portrays a ship navigating through an ominous and dark sea, alluding to life's inevitable struggles and the haunting silence that follows lost hopes and dreams. The imagery in the poem evokes feelings of despair, alongside a yearning for connection and understanding in a world fraught with uncertainty. This opening section solidifies Campbell's ability to weave together nature's beauty with profound reflections on life and death, setting the stage for the ensuing poems that continue to explore these themes. (This is an automatically generated summary.)

About the Author

William Wilfred Campbell was a Canadian poet. He is often categorized as one of the country's Confederation Poets, a group that included Charles G.D. Roberts, Bliss Carman, Archibald Lampman, and Duncan Campbell Scott; he was a colleague of Lampman and Scott. By the end of the 19th century, he was considered the "unofficial poet laureate of Canada." Although not as well known as the other Confederation poets today, Campbell was a "versatile, interesting writer" who was influenced by Robert Burns, the English Romantics, Edgar Allan Poe, Ralph Waldo Emerson, Henry Wadsworth Longfellow, Thomas Carlyle, and Alfred Tennyson. Inspired by these writers, Campbell expressed his own religious idealism in traditional forms and genres.

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